Tag Archives: writing about writing


On this day last week, I was up all night finishing up some new stories – an eleventh-hour push before an event.

I have no such deadline today, and it’s hard to tell what kind of thing I want to write.

So I’m musing instead on the oddities of the writing yen. It isn’t exactly mood-based: I can be in a goofy, zany sort of a mood, but want to write something mythic or poetic. I can be in a sentimental mood, but want to write something didactic.

Sometimes, I can’t quite sense what it is that I want to write. That’s how I am tonight.

I can tell enough to know that it’s more introspective. It’s not a desire to hook up my forebrain to another’s and jump-start it with information. Nor even entertainment. It’s definitely not a comedic mode. But whether that means it’d lend itself better to a thoughtful essay, a bit of short fiction, or some roleplaying, I’m not sure.

When I’m lucky, I have specific inspiration. I got An Idea out of nowhere, or I have a couplet lodged in my head. There’s some distinct conceptual particulate around which the writing can condense.

Though this isn’t a sure shot, either. If I let the idea sit too long, if I don’t at least start the process while the inspiration is live, it’s harder to build on. The confluence of mental processes that brought the idea into being may not be in play tomorrow, much less next month or next year. It may still be an interesting idea, but it feels distant. Relic-like.

Obviously, what’s changed is how I relate to the idea.

(This is also why any completed work has about a six-hour shelf life, at best, before it goes from “as good as I can get it” to “utter trash that proves my insufficiency as a human being.” Either you keep writing something forever, never finishing it, never being done, changing it as you change and refusing to show it to anyone… or you do call it “finished” at some point, consigning it to a fixed point in time, after which point you’re forever growing away from it. It becomes a snapshot that reflects the idea, your understanding of the idea, yourself, and your surrounding culture, at that one specific moment in time. Whenever your understanding of any of those things changes, the work is only as good as Past You could make it, but it’s going to reflect on Present You for as long as the work survives. Which may very well be longer than you survive. But I digress.)

That’s why I find it important to at least start on any idea as soon as possible after I get it. If I get a good start, then the nascent work itself can help cue me into whatever mental state I had when the idea first came to me. Not with the exact same fidelity, true. Already, by the second approach, it’s become a bit of a performance: me trying to mimic the thought-processes of a previous version of myself.

There’s a sense in which all writing, and all reading, is an attempt to reconcile the differences between the subjective and the objective, between the self and the other, and between the present and the past and (ideally) the future. The very act of writing can change how we frame an idea, an observation, a belief, or even a fact – and that change in framing can itself change how we engage with it.

It’s like trying to remember a dream, really. You may or may not remember your dream when you wake up in the morning – but it’s less likely you’ll remember it tonight, and very unlikely that you’ll remember it next week. But if you write something of it down – anything, even keywords – you probably have enough to cue yourself to remember it later on. The act of writing helps you encode it into memory; reading that writing again later on, obviously, helps you trigger those memories again. But you do have to keep coming back to it, keep reminding yourself, keep making your present self acknowledge the ideas of that past self. Keep making those past-ideas into part of today’s thoughts. Like a time capsule you never bury.

And there may come a point where you realize that you aren’t remembering the dream as such anymore – you’re remembering thoughts you’ve had about the dream. You’re remembering yesterday’s memory, which involved remembering the day before’s memory.

That’s part of why it sucks to have unfinished works. There’s one story in particular that I always wish I could finish – but, really, I wish I could have finished it when it was more relevant, when the wire was still live. I started it my sophomore year of college, after all, and even then it was a ridiculous, self-indulgent, post-adolescent paean to my high school theater days. But that stub of a story is still such a guilty pleasure, and while I hate to leave it unfinished, I’d hate to start it up again only to realize I’m just too old and too far distanced from that young Thespian self to be capable of finishing the job.

I’m not sure what’s worse, though: the fear I’m too old and too lost to share an artistic empathy with my past self and one of my life’s most cherished experiences… or the fear it would be all too easy, because I haven’t traveled far enough from that self –  because my maturity and sensibilities and skills all stalled out nearly two decades ago.

A week ago tonight, I was writing a poem. I used to write poetry a lot when I was younger. I like words, I like assonance, I have an innate sense of the rhythm and meter of words, and so poetry feels like a fantastic puzzle. “Hmm, I need a two-syllable word or phrase that rhymes with ‘eyes’ and has stress on the first syllable, and that ideally has some assonance or alliteration with this other part of the line…” There are rules and formulas, and while I might fudge things a little, the attempt to create something that’s simultaneously cogent, rhyming, and rhythmic is so much more fun and fulfilling.

And yet I feel that “doesn’t count” as modern poetry anymore. As if “real poetry” doesn’t rhyme, has no meter, and has no particular need for evocative language of any sort, but instead has to be “free verse,”

the coward’s form
where everything
no matter how prosaic
no matter how much its supposed rhythm sounds
like a running unbalanced washing machine
down the stairs
becomes a poem
so long as you refuse to punctuate
or submit to the yoke of capitalization
and so long as you break
your ideas
onto multiple
like framing a random stain on a gallery wall
this format of
gives the reader
to slow down
to reflect
to listen
for one goddamn moment
and when they
are amazed to hear
in their minds
they think
the depth
is in the words
and writer.

I already feel guilty about how easily poetry comes to me, relatively speaking. I come to it armed with a rhyming dictionary and thesaurus, often, but I can make it happen with relative ease. And if my insurance-company coworker’s arrhythmic, mangled, CC’d-company-wide “parody” of “The Night Before Christmas” was any evidence, that’s not something the average Joe has the same knack for. Much like how I can’t move my body rhythmically to save my life – literally; I can’t even coordinate my limbs enough to tread water.

But my regular prose can already trend toward the purple, and if all I had to do was chunk it up onto separate lines to make it “poetry,” then what the hell fun is that to write or to read?  Shouldn’t all of this be harder?  If it’s easy, if it’s enjoyable, doesn’t that mean I’m doing something wrong?

Still, I’d stopped writing poetry when I was 12 or 13 – shortly after I learned the word “doggerel” – and except for a couple required assignments in a Creative Writing class, I didn’t succumb to the temptation again until this past year. (Assuming we don’t count song parodies, anyway. …Which are even MORE fun, because they have even more constraints to fulfill – like rhyming, or at least having some assonance, with the original.)

But, now that I’ve written poetry again, I can’t help wondering if it’s remotely “better” than when I left off. I still like to do it, but isn’t this, too, something I should have grown out of? Is it any surprise I haven’t gained any skills if I haven’t let myself do it for twenty years?

It’s the same old Catch-22 as ever: you can’t get better if you don’t practice, but you’re not allowed to “practice” because everything you do counts and has consequences. Whatever I do is only as good as I can get it, and my instinct is always to sit on it and hide it away and try again sometime when Future Better Me is capable of doing things right.

I’m getting better about realizing that I can’t just quantum leap from here to there, and that I have to do things “well enough” and make mistakes and revise things over time. Though that still feels like a free-verse sort of life, one where I decide that rules and consequences shouldn’t apply to me if I don’t want them to, so long as I’m conceited enough to believe I’m doing something “meaningful.”

Still. If everything is a constant series of mistakes, at least I’m trying to make interesting ones and to err on the side of creation.

But now, tonight, I’m tired.  And while this doesn’t feel done, or interesting, or anything, nothing else compels itself to be said.

I know I should write other things here.  Better things.  More meaningful things.  Things that address all the political absurdity going on lately.  Not that I have anything worthwhile to contribute, but it’s a civic duty sort of thing.  I can emit words in a place where they can be read, so I should probably damn well say some things about some things that may need to be said, even though they’re things that should damn well go without saying.

But, at least I fulfilled that yen for vaguely-poetic introspection.

Tomorrow, most likely, there will be improvisational fiction, and possibly some technical writing, and maybe some life-sciences sci-fi, and a bunch of regular old conversations. And, who knows, maybe some strange synapse will fire, and I’ll end up scrawling something that all flows together, just the way I want it to, just the way it feels like it’s waiting to be, in a way that could practically make you believe in the Muses.

Or maybe it’ll be, like most other days, a day where I have the permanent drive to write, but no direction or focus in mind.  I just have to listen to myself, figure out what seems to be flowing best, and set myself on that task as long and as well as I can.

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Preface to a Series of Rants

When I started this blog, I didn’t have any particular idea for what it would be.  Slice-of-life?  News commentary?  A place to share new music I found?  Somewhere to trepidatiously dispense fiction or – dare I suggest – poetry?    Over time, it’s ended up as more of the second.  I’ll read some news article that pisses me right off, and as my main response to that is to vent my frustrations in word-form, this blog bore the brunt.

Although I appreciate having a space for that, and although news topics are Important, it’s really not my favorite sort of rant.  Gender matters, political matters, economic matters… they do matter, and the emotional investment can drive some strong and stirring prose.  However, it’s just a loud yell in an echo chamber.  The more Important something is, the less attention anyone pays to the writing itself, the reasoning itself.   People tend not to respond to the argument itself, but rather to whatever they think the argument is — which is usually based more on their pre-existing views on the subject.  If they pay attention to the writing at all, often it’s little more than the first paragraph, or perhaps just the title.

You’d think I was being hyperbolic, but some commenters on an old entry proved otherwise.  They were absolutely certain that they knew what the post was about better than I did, and asserted that i was really writing about one specific case — despite the clear thesis statement to the contrary, despite the fact that 90% of the article was an exploration of that thesis, despite the clear disclaimer that most of the facts of that specific case were unknown.  It didn’t matter how clearly I indicated that the post was distanced from that matter — was, in fact, a response to the type of response one individual had, not only to that case but to all others like it.  It didn’t matter that this individual’s reaction wasn’t even unique to him, that it was held by many people who heard about that case and all others like it.  No matter how clearly I indicated that the post was a general exploration of the phenomenon at large, nothing more specific than a template — these commenters could not acknowledge it.   They knew what they wanted the post to be about — and nothing, not even the post itself, could dissuade them.

That’s the peril of writing about anything “sensitive” or “political” or “controversial.”  Despite how important it is, despite the greater need for empathy and understanding others’ perspectives, those are the very issues about which we’re most unwilling — perhaps even incapable — of changing our minds.  Blame self-delusions, or logical fallacies.  Blame being human.

But it might be another fallacy to believe that only these Important Issues are, in fact, important.  That, so long as there’s still injustice and stupidity in the world, it’s horrible to use any media platform to talk about anything else.  Because somewhere, people are being persecuted, tortured, killed, and you’re going to write about MUSIC?


Is it a harsh and sudden gearshift, given the rest of these posts’ blatherings about Important Social Matters and Important-To-Me Coping Matters?  Rather; thus this bit of buffer.

But I had intended this to be a place where I could write whatever I damn well wanted to write, this time in a place where people might actually find it and read it.  I’m no great communicator; I’ve got no pretensions of changing the world, or even changing one single mind.  I am not Batman, nor The Night; my only purposes in writing are not to A) punish evildoers and B) brood.

All I want of this place is to be a petri dish, a neutral setting in which my amoeboid thought-processes can envelop and digest whatever morsel of information drops onto the agar.  And I’ve fed my thoughts too long on a diet of Things That Make Me Go HNNNNNNNG,

Moreover, since November seems to be the month for writing challenges, this will give me some vague semblance of direction — and might even have me in here posting something every day.  How ’bout that.

So, I’ll be taking the easy route:  I’ll be doing a 30 Days of Music prompt, one of those semi-memetic things that bounce around social networks sometimes, as they used to migrate through email address lists of yore.  A series of lowballs?  Perhaps — but they still might have the potential for interesting tangents and blatherings.

And, if I happen across any compelling writing prompts — or, yes, any particularly rage-inducing news I need to froth about — that will likely happen as well.

For anyone who’d like to play the home game, here’s the list of prompts I’ll be using.  I’ll try to get caught up to the present day.

Day 01 – a song from one of your favourite albums
Day 02 – a song you would sing in public/at karaoke
Day 03 – a song you know is horrible but love anyway
Day 04 – a song that reminds you or your dad/mom/childhood
Day 05 – a song you like more because of the video than the actual song
Day 06 – a song that makes you sad
Day 07 – a song you wanna dance to
Day 08 – a song you enjoy but don’t understand (foreign language, singer mumbles, historical context)
Day 09 – a song that gets you ‘hot’
Day 10 – a song you listen to/sing on the way to school/work
Day 11 – a song by an artist/band you wish everyone knew about
Day 12 – a song you know every word to
Day 13 – a cover song that is better than the original
Day 14 – a song from the first album you ever purchased
Day 15 – a song from the last album/the last song you actually paid for
Day 16 – a song you need to listen to again right after it’s finished
Day 17 – a song by the first band/artist you saw live
Day 18 – a song by a band/artist you wish to see live (living/dead/together/broken-up/fictional)
Day 19 – a song that describes you/your personality
Day 20 – a song that you thought was sung by a female but was actually sung by a male (or vice versa)
Day 21 – a song from your favourite movie
Day 22 – a song that energizes you
Day 23 – a song by an artist/band that you have no idea why people like
Day 24 – a song that describes your job/how you feel about it
Day 25 – your favourite/the most tolerable musical number (movie/tv/theatre)
Day 26 – a song that tells a great story
Day 27 – a song you think can save the world
Day 28 – a song you’re embarrassed to tell other people you think is good
Day 29 – the theme song for your life if it were a sit-com (doesn’t have to be a tv theme song)
Day 30 – the last song you’d want to hear before you die


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